Portraits are everywhere. They are in our wallets; on our computers, cell phones and desktops; on the walls of corporate offices, banks and schools. But what precisely is a portrait or image of likeness? How do artists’ methods and materials evolve as technology progresses with break-neck speed? And in this age of user-generated content, who exactly is the artist?
LIKENESS is a group exhibition that examines human depiction during a post-Warholian era in which new technology has played an influential role. It includes the work of artists Jim Campbell, Paul DeMarinis, Jonn Herschend, Nikki Lee, Joseph Mannino, Greta Pratt and Tony Oursler. Elaine A. King, who is a freelance critic and curator as well as a professor at Carnegie Mellon University teaching Art History/Theory/Museum Studies, guest-curates the exhibition.
Sarah Oppenheimer opens apertures in existing architecture, modifying the recognizable modular units (such as rooms) that make up our standardized built world. Interested in the way that people navigate their environments through both familiar bodily experience and with the aid of navigational tools, like maps, Oppenheimer’s works alter the visitor’s experience and perception in the gallery space.
